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Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Sunday, 21 August 2011

Horror star avoids scary movies 28 weeks later Parents charged after northern NY infant dies Win 1 of 3 Stargate Universe Season 2 The Complete Final

Horror star avoids scary movies

Imogen Poots

SAN DIEGO, Calif. -- Just when Imogen Poots thinks she's out, some maniacal undead hand pulls her back in.

"I've never been big on horror, which is ironic -- because I sure get covered in blood a lot," says the 22-year-old Brit.

"My imagination is too ridiculous. I'll be falling asleep and be convinced a coat on the back of my door is a murderer just popping up in to say, 'Hi.' I steer clear of (horror movies), if I'm being honest. Saw and all those ones are not my cup of tea."

Fortuitously for her career, however, zombies and vampires apparently don't hold a grudge. Her breakthrough role, after all, came when she was just 17 in the brain-feasting 28 Days Later sequel, 28 Weeks Later. And she's currently starring opposite Colin Farrell and Anton Yelchin in Fright Night, which is now in theatres. In the remake of the 1985 cult classic, she plays Amy, the popular girlfriend of Charley Brewster (Yelchin) who becomes a target of sociopathic supernatural suburbanite Jerry Dandrige (Farrell).

As the earlier version did, the film celebrates the vampire's origins as a primeval predator -- something sure to please fans discouraged after years of Twilight-inspired dreaminess, in which the blood-suckers are more inspired by James Dean than Bram Stoker.

Poots, though, believes there's room for both kinds of coffin-dwellers: those who sparkle in the sunshine and those who burst into flame. "I've seen (the Twilight movies). I think (Kristen Stewart) and (Robert) Pattinson are awesome. I haven't read the books, but it's a franchise that's really relevant to my generation. You've got to embrace it."

Fright Night, she adds, goes "back to the original form of what it means to people. It's a malleable form. You can adjust the form of the vampire to suit your type of film.

"Twilight has a different vampire than we have."

Maybe. But what the two creatures have in common is that Farrell is no less irresistible to the opposite sex than Pattinson.

Take, for example, the sexual charge that occurs between Farrell and Poots in one pivotal scene. "It's a pure seduction. His gaze is everything about him and it overwhelms her. That's his power. That's why he's so dangerous. He has the power to seduce."

For Poots, Fright Night marks her most significant role to date on this side of the pond. 28 Weeks Later, she notes, gave her the chance "to meet people and get into rooms I hadn't had the opportunity to get into before. It's the film that made a difference, to be sure ... I feel like I was very lucky to have that chance when I was a nipper."

But she says if she had gone to Hollywood immediately afterward "it would've been jumping the gun. I felt very lucky to be part of that film. And never considered a strategy in any sense. I just finished school and was figuring stuff out. So I went onto do some jobs in London and only started to come over to America with Solitary Man (with Michael Douglas). There was never a plan. It would be presumptuous to presume I had a shot."

Fright Night gives her the chance "play an all-American girl, something that's often dismissed when you rock up and they're like, 'You're from London.' "

That said, she's grateful for her accent. "I think (accents) are a real tool. You should really embrace them if you get the chance to. It's a way to discover a whole other identity. It affects the way I move; it affects my mannerisms."

Parents charged after northern NY infant dies

PLATTSBURGH, N.Y. — Police say a Plattsburgh couple was warned about leaving their infant twins alone just weeks before one of the babies died.

The Plattsburgh Press-Republican reports (http://bit.ly/qlvorK ) child protective caseworkers visited the home of Jonathan Whalen and Melissa Gonyo in summer 2010 and found the 6-month-old twins alone, crying and propped up in chairs. The parents were upstairs sleeping.

Police say three weeks later, the 21-year-old Gonyo left Zachary propped in a chair overnight. Whalen woke up several hours later and found him dead. Police believe Zachary couldn't breathe because of the position he was in.

Gonyo is charged with second-degree manslaughter, meaning she didn't intend to kill Zachary but acted recklessly. The 28-year-old Whalen is charged with endangerment for the earlier incident.

Win 1 of 3 Stargate Universe Season 2: The Complete Final Season on DVD boxset

We have teamed up with Twentieth Century Fox to for the release of the last thrilling installment of the award-winning Stargate saga, STARGATE UNIVERSE SEASON 2: THE COMPLETE FINAL SEASON, which will be out on DVD from 29TH AUGUST 2011

Stargate Universe Season 2 follows Col Everett Young (Louis Ferreira, The Andromeda Strain, CSI) and his crew of soldiers, civilians and scientists – including the volatile Dr Nicholas Rush (Robert Carlyle, 28 Weeks Later, The Full Monty) - stranded on-board alien shop The Destiny as it follows a predestined course through the universe.

Supplies on board are running dangerously low, tensions are rising and Destiny’s ultimate mission remains unknown. Facing uncharted space and enemies who would take the ship by force, the crew must learn to trust each other and the Destiny itself in order to survive, and to keep hopes of returning to earth alive.

Full of suspense, unexpected twists and turns, spectacular visual effects and in-depth special features, Stargate Universe on DVD is a must-have for all Stargate and sci-fi fans. Delve into Season 2 or pick up the Season 1 and 2 box-set, but join the Destiny this summer.

With rumours circulating about a possible TV movie to take the story on, this is our chance to show our support once and for all. Do STARGATE justice and support the cause! http://www.petitiononline.co.uk/petition/save-stargate-uk-make-it-your-destiny/3178

Stargate Atlantis Seasons 1-5 will be released on Blu-ray on 19th September 2011. This is the first time all 100 episodes of this iconic series will be available in high-definition in the UK.

To celebrate the release we have 3 DVD box-sets of STARGATE UNIVERSE SEASON 2: THE COMPLETE FINAL SEASON to give away!




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Friday, 5 August 2011

Birthday wishes for Kajol Genelia celebrated her birthday on the sets of "Tere Naal Love Ho Gaya", with co-star and rumoured beau Riteish Deshmukh



Bollywood actors Kajol and Genelia D'Souza, who celebrate their birthday Friday, received wishes from tinsel town through social networking site Twitter.

While Kajol turned 37, Genelia touched 24.

Filmmaker Karan Johar, whose directorial debut "Kuch Kuch Hota Hai", and several subsequent films featured Kajol, posted: "Its KAJOLS birthday!!! She's not on twitter...but give her love people...she is truly special!! The best actress...and a woman of substance!"

Filmmaker Kunal Kohli, who worked with her in "Fanaa", wrote: "Let's all wish Kajol a very happy bday, truly one of the best and most talented actresses we've ever had. An all time great."

Genelia celebrated her birthday on the sets of "Tere Naal Love Ho Gaya", with co-star and rumoured beau Riteish Deshmukh and the crew of the film.

Riteish wished her on Twitter, saying: "Here's wishing my most favourite @geneliad a very happy birthday. The smile of her face is d reason everyone on d sets is smiling - including me 9 yrs ago v celebrated @geneliad's bday on the sets of our debut film TMK ('Tujhe Meri Kasam') n today on d sets of TNLHG- feels like yesterday- have a great one girl (sic)."

Others like Minissha Lamba, Siddharth, Neil Nitin Mukesh and Rana Daggubati wished the young actress, who made her debut with "Jaane Tu...Ya Jaane Na".

They first struck gold over sixteen years ago, in the eternal Dilwale Dulhaniya Le Jayenge. After that epic romantic story, they went on to give us Kuchh Kuchh Hota Hai, Kabhie Khushi Kabhie Gham and My Name Is Khan.

Kajol's pairing with Shah Rukh has always reflected a beautiful, inimitable friendship that has only grown over the years. Which is why the King Khan's birthday wish to her, via Twitter, is more heartfelt than any other we've seen so far.

Coming up: A look-see at Kajol's memorable journey on the silver screen.
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Sunday, 31 July 2011

Smurfs Cowboys & Aliens tie at box office Smurfs Cowboys & Aliens Tie for Box Office Lead The Hollywood Movie 2011 Smurfs Movie Review 2011

'Smurfs,' 'Cowboys & Aliens' tie at box office

Tra-la-la-la-la-la — the animated little blue guys overcome projections, equaling the western / sci-fi mash-up's $36.2-million opening weekend.

In a surprise, “The Smurfs” tie "Cowboys & Aliens" at the box office this weekend. In a surprise, “The Smurfs” tie "Cowboys & Aliens" at the box office this weekend.
"Cowboys & Aliens" had the heft of two popular genres going for it.

The film, one of the most expensive movies to be released this year, also boasted two A-list actors in veterans Harrison Ford and Daniel Craig. And it had two Hollywood bigwigs behind the camera — Steven Spielberg as executive producer and "Iron Man's" Jon Favreau as director, who in recent weeks has been exhaustively promoting the movie. And it was received well by the fanboy audience at Comic-Con International in San Diego, where it premiered late last month.

But rather than opening to twice the success, the film had disappointing ticket sales this weekend. In a surprise, "The Smurfs" — a critically panned live-action/computer-animated hybrid movie based on characters that originated more than 50 years ago — grossed far more than pre-release polling had indicated. As a result, on Sunday the studios behind the pictures estimated that each film would collect $36.2 million domestically by weekend's end. Meanwhile, the weekend's other new wide release, the adult romantic comedy "Crazy, Stupid, Love," brought in a decent $19.3 million.

Nikki Rocco, the domestic distribution president for Universal Pictures — which released "Cowboys" — said the film was a "unique action movie with a bold concept and a great pedigree of filmmakers."

"We took a shot with them to bring this movie to market," she explained.

The film's soft opening is no doubt a letdown for Universal as well as the picture's other financial packers, DreamWorks and Relativity Media, who collectively spent about $163 million to produce the movie.

"Cowboys," which is based on a little-read graphic novel about an alien invasion in the Old West, resonated most with an older crowd, as 63% of the audience was over the age of 30. Those who saw the film — 53% of whom were male — gave it an average grade of B, according to market research firm CinemaScore.

The movie performed about as well on its first weekend as "Super 8," one of the only other major studio releases to come out this summer with a largely original concept. That J.J. Abrams-directed film opened to $35.5 million in June and has since grossed $181.2 million worldwide, but its production budget was far less, topping out at about $50 million.

Meanwhile, "The Smurfs," which features a gaggle of diminutive blue cartoon characters, now seems primed to follow in the footsteps of Fox's hugely successful "Alvin and the Chipmunks" series, which also stars live actors alongside animated characters. The most recent film in that franchise, "Alvin and the Chipmunks: The Squeakquel," opened to $48.9 million domestically in 2009 and went on to gross $443.1 million worldwide. "The Smurfs" is already off to a better start than two similar films that were released in 2010, "Yogi Bear" and "Marmaduke," both of which opened to less than $17 million.

"I don't know why people underestimated this movie to such a degree. We were always very bullish on it," Sony distribution President Rory Bruer said. "It has a huge following and not just with kids — there's a nostalgia factor and a cool factor that is kind of making the film resonate for us."

Audiences who saw "The Smurfs" this weekend loved it, assigning the PG-rated film an average grade of A-minus. Not surprisingly, the movie — which cost about $110 million to produce — appealed mostly to a family audience, as 65% of the crowd was composed of parents with their children. The film didn't sell an overwhelming number of 3-D tickets, with about 45% of the crowd opting to see the film in the pricier format.

The Smurfs, originally conceived by a Belgian comic-book artist in 1958, rose to popularity stateside when they became the subject of a 1980s Saturday morning cartoon program. To make sure younger audiences were familiar with the older property, Sony teamed up with a handful of marketing partners including McDonald's, Stauffer's, Post and Toys R Us to advertise the movie. (McDonald's featured Smurfs on its Happy Meals worldwide.)

Overseas, the film opened this weekend in seven foreign markets and collected $4.4 million. The movie performed best in Spain, where it grossed $3.9 million, marking the eighth-biggest opening of the year in that nation.

"Crazy, Stupid, Love," in which a middle-aged man played by Steve Carell is taught how to pick up women after his wife leaves him, cost Warner Bros. about $45 million to make. The film, which also stars Ryan Gosling and has received largely positive reviews, was given an average grade of B-plus by those who saw it. The movie appealed most to a largely older crowd, as 71% of the audience was 25 or above.

"There's always a lack of films toward the end of the summer for an older audience," said Dan Fellman, president of domestic distribution for Warner Bros. "We always felt like they were waiting for something good to come out — and obviously, they were waiting."

The Smurfs Review: Smurf On Ahead, Nothing To Smurf Here

The Smurfs cartoons were a daily presence in my life growing up. It originally aired from 1981-1989 with 420 episodes and I would watch many of these every day, especially on weekends and summer vacation. Looking back, its no wonder that my parents never watched this with me because of the ubiquitous “La la la lala lalalala,” that I’m sure would drive any adult a little nuts.

The Smurfs are magically transported to New York City via a portal on the day of the Blue Moon festival. Clumsy Smurf (Anton Yelchin) accidentally leads Gargamel and his cat Azrael into the hidden Smurf village wherein chaos ensues after the sorcerer begins to start destroying their homes while trying to capture the tiny little blue men. Clumsy, being Clumsy, gets separated from the rest of the Smurfs causing Papa (Jonathan Winters), Smurfette (Katy Perry), Grouchy (George Lopez), Brainy (Fred Armisen) and Gutsy (Alan Cumming) to go after him. In New York, they meet Patrick (Neil Patrick Harris) and Grace Winslow (Jayma Mays), a young couple expecting their first child. Patrick works for a cosmetic company headed by Odile (Sofia Vergara), and recently has a trial promotion as the Vice President of marketing. If he can please Odile then he gets to keep the job. Of course that isn’t easy with the Smurfs involved. They are well meaning little blue creatures but incredibly out of place in this modern world. Still as they try to find their way back home and stop Gargamel from capturing them and stealing their Smurf essence, audiences are imparted with some important lessons.

The 2011 film doesn’t quite pack the same entertainment punch as cartoon did my five-year-old self saw it back in the day, but if you are in that age group now and watched it this opening weekend you probably enjoyed yourself. I’ll admit that the physical comedy of the movie were the parts where I laughed with the five, seven, and ten year olds who were in the theater with me. Hank Azaria, who plays Gargamel the dimwitted sorcerer hunting for Smurfs, took the brunt of the falls, hits, tosses, and crashes. Azaria did a spot on job in his portrayal of Gargamel’s demeanor and movement, but I just couldn’t get over the voice. Of course there was no way it could be the same, but it just kept reminding me that it was Azaria playing Gargamel, not really Gargamel come to life. That being said, I’m biased and I’m sure the kids enjoyed it.

Harris and Mays gave decent performances, but to be honest I kept feeling like I was watching an episode of Glee and soon the two actors would burst into spontaneous singing. Mays plays Emma Pillsbury on the hit show and Harris guested as Bryan Ryan (he won an Emmy for outstanding guest actor in a comedy series for this role).

The voice acting caught me by surprise, as I had no idea that Lopez was playing Grouchy, which was quite fitting. My favorite had to be Cumming as Gutsy because for one I couldn’t recognize his voice and secondly, he had the best lines.

Still my favorite character in the entire film has to be Azrael the cat. It was the best comic relief and had the funniest expressions. Kudos to the voice actor, CGI team, and the animal trainer!

Bottom line – parents, your kids will enjoy it and children of the eighties I say stick to the cartoons.

Pictures Courtesy of Sony Pictures Animation

La la: Smurfs movie slammed, goes #1 w/Neil Patrick Harris, Katy Perry


Updated to include more detail regarding critical Smurfs reviews

La la la la la la, the Smurfs Movie is tied for #1 at the box office despite the vast majority of professional reviews being negative, most of which have ranged from the “so bad it’s kind of watchable” to “so bad it’s terrible” kind of critical disdain. So what saved the movie? Two things: one is the real-world presence Neil Patrick Harris. That’s right, the former child actor one seemingly destined to be forever known as Doogie Howser has quietly transformed himself into one of our better actors in his adulthood. The other is the virtual presence of Katy Perry, the voice of Smurfette, who breathes an appropriate amount of ladyness into the lone female Smurf. And that’s a good thing, because the male Smurfs in the movie are just plain annoying.

But if there’s something which works about this movie, it’s probably that viewers can hang in there vicariously through NPH as he finds the Smurf characters to be as annoying as the audience does. It’s a tough day when characters which in their original incarnations were such caricatures that they had stereotypical names more obvious than that of the Seven Dwarfs, and yet these characters have somehow managed to dissolve further into caricature (past the threshold of no return) in their movie incarnations. Oh well. But Neil and Katy to the rescue, because other than that, there’s not much here. Then again, the Smurfs movie benefits from the same scenario as the Transformers movies: parents who want to see the movie just to revisit characters from their own childhood, and kids who are eager to see any kid-oriented movie their parents are willing to take them to. And even after parents and kids alike figured out that the first Transformers movie wasn’t very good, they went back and saw two ever-worsening sequels. Perhaps that’s why the Smurfs movie sequels are already en route; this kind of nostalgia-based double whammy doesn’t need to be good in order to be seen.

Then again,there’s the fact that the primary competition at the box office is called Cowboys and Aliens. That’s the kind of name the studios assign to a movie that’s so bad they know it’s going to bomb and so they give it a ridiculous hail-mary of a name (see Sucker Punch) in the hopes of luring in some folks based on the tacky name alone. An odd move for this particular movie, seeing as how it stars quality actors like Harrison Ford and Daniel Craig, who are usually box office money just by showing up. And on top of that, Cowboys and Aliens has a much higher critical approval rating than its blue-themed rival. Just imagine if they’d instead called it Cowboys and Smurfs.

Smurfs, Cowboys & Aliens Tie for Box Office Lead


It was a strong weekend for unusual creatures this weekend: The Smurfs tied with Cowboys & Aliens for first at the box office. Both films earned $36.2 million.


Cowboys & Aliens Trailer

Despite the deadlock, Cowboys & Aliens comes out as a loser. Considering the star power involved and the budget ($163 million), expectations were high for the Jon Favreu-directed thriller. Instead, it barely made half of what the top superhero-based flicks of the summer took home in their first weekend.

A look at the top five:

  1. The Smurfs: $36.2 million
  2. Cowboys & Aliens: $36.2 million
  3. Captain America: The First Avenger: $24.9 million
  4. Harry Potter and the Deathly Hallows Part 2: $21.9 million
  5. Crazy, Stupid Love: $19.3 million
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Hindi Movie Thank you Part 1 Thank You Bollywood romantic comedy film Slapstick comedy with intermittent humour Small glimpse of the Movie

Hindi Movie - Thank you Part 1


Small glimpse of the Movie

Thank You (Hindi: थैंक यू) is a 2011 Bollywood romantic comedy film directed by Anees Bazmee and produced by UTV Motion Pictures. It features Akshay Kumar, Bobby Deol, Sonam Kapoor, Suniel Shetty, Irrfan Khan, Celina Jaitley and Rimi Sen. The film was released on April 8, 2011. Thank You is about three married men trying to have some fun outside their marriage. Akshay Kumar plays a detective who specializes in extra-marital relationships. Most of the scenes in this film were shot in Vancouver and Toronto, Canada and Bangkok. Other Bollywood films which have focused around a similar concept are Masti, No Entry, Shaadi No. 1 and to a certain extent, Do Knot Disturb.

With Universal, Comcast hopes to make a big splash in movies

By Bob Fernandez

Inquirer Staff Writer

NEW YORK - As big banner ads in Times Square last week hyped Universal's hoped-for blockbuster Cowboys & Aliens, the movie studio's parent company, NBCUniversal, held a screening of the western sci-fi thriller at its private theater near Rockefeller Center.

There were wine and soda and hors d'oeuvres trays, and company officials billed the event as a thank-you for about two dozen reporters who cover

Hindi Movie - Thank you Part 1

NBCU. There was another message for the gathered media - that the famed Universal Pictures movie studio that had fallen on hard times in recent years is on a hot streak under its new owner, Comcast Corp.

With a surprising run of hits since April, Universal has moved to third in U.S. market share of box-office receipts this year after, as one insider called it, "a really bad run" in 2009 and ranking sixth of the eight largest U.S. studios for 2010.

A committed management team is responsible for these recent hit movies and several projects in the Universal pipeline that are being closely watched by Hollywood insiders as potential heavy hitters - among them, an animated version of the Dr. Seuss story The Lorax and Battleship, based on the Hasbro game, both set for release in 2012.

"They have reestablished their prominence as a movie house that can produce broad, crowd-pleasing entertainment," said Craig Detweiler, director of the Center for Entertainment, Media and Culture at Pepperdine University.

"It's a hit-driven business, so it is always impossible to predict. It's always a gamble. And you have to have patience for your bets to pay off."

Comcast, the Philadelphia cable company, acquired the Hollywood movie studio through its megadeal for NBCUniversal, the owner of cable channels and the NBC TV network. When the deal closed in January, many observers assumed that Comcast would not be interested in a sixth-ranked movie studio.

But Comcast said it was devoted to the film business and wooed Hollywood. In early May, Comcast chief executive officer Brian Roberts publicly courted film great Steven Spielberg with a fund-raising dinner in Philadelphia for Spielberg's Shoah Foundation, which records the memories of Holocaust survivors. Roberts has said he hopes he can persuade Spielberg to return to Universal.

A month later, Comcast agreed to pay $1 billion for a 50 percent stake in the Universal theme park in Florida - a business closely tied to films and Spielberg - that it did not already own.

The swift turnaround at Universal, though, cannot be attributed solely to the cable company.

Facing deepening financial losses under General Electric Co. in 2009, a new leadership team of Adam Fogelson, Donna Langley, and Rick Finkelstein was appointed to head Universal's moviemaking operation. This year's crop of movies, which includes one clunker, The Dilemma, is the first of their projects.

The movie operation reports to Ron Meyer, the president and chief operating officer of Universal Studios, which includes the movie business and the theme parks. Meyer's employment contract at Universal, set to expire in 2012, was recently extended to late 2015.

Some analysts say Universal's problems stemmed in part from GE's insistence on profit growth, forcing Universal to take big risks on movie projects with the hopes of earning big profits to replace revenue lost through lower DVD sales.

The new management team has tightened decision-making around movie projects. A movie has to satisfy three criteria before it receives an OK: Can it be great? Does it have an identifiable audience? Is there a rational business plan attached to the project? Meaning: Do potential profits exceed potential losses based on the past experiences with films of a similar genre?

Perhaps the most surprising of Universal's hit films this year has been Bridesmaids, an R-rated woman-centric comedy that has tallied $240 million in global sales since mid-May, easily covering production costs of $32.5 million.

Also profitable has been the fifth installment of the Fast and Furious movies. It has generated $603 million worldwide since late April - after costing about $125 million to produce. Realizing there was more horsepower in the franchise, Universal was quick to slate a sixth Fast and Furious. It is scheduled for release in 2013.

Then there's Cowboys & Aliens, starring Harrison Ford and Daniel Craig. It cost $163 million to produce. Universal has only a 25 percent financial stake, which will limit its exposure to either a flop or a blockbuster.

Connected with two of the biggest names in Hollywood, Steven Spielberg and Ron Howard, the two-hour movie opened Friday to mixed reviews. Universal's partners are DreamWorks and Paramount.

The movie's story line is one of evil aliens mining for gold out West and a cowboy determined to avenge the death of his wife - at the hands of those aliens. There are gunplay, humor, Indians, special effects, and a Hollywood-style happy ending. The studio hopes for an opening weekend with receipts around $40 million.

New corporate owners have regularly fallen in love with Hollywood studios, only to be disenchanted when profits did not materialize or they found movie audiences too fickle for their liking.

So far Hollywood has been pleasantly surprised with Comcast, but time will tell how committed the cable company is to the movie business, Detweiler said.

"Comcast has given a clear signal to the talent in Hollywood that Universal is an attractive place to bring your project," he said. "And in a town like Hollywood, built on relationships, that is an important message to communicate."

More from Thank You
Trailer
Photogallery
Photogallery
Official Website
Official Websi
Slapstick comedy with intermittent humour

Story: Bobby Deol, Suniel Shetty and Irrfan Khan are a trio of philandering husbands who don't think twice before being unfaithful to their wives, Sonam Kapoor, Celina Jaitley and Rimmi Sen. Enter marriage therapist, Akshay Kumar, who is determined to teach them a lesson and bring them back to the happy family fold.
Best Reader's Review
its a really very entertaining movie i saw after very long time. one must watch it as it ...Read more rohit shetty (GOLMAL 1, 2, 3) (mumbai)

Movie Review : Anees Bazmee seems to be re-visiting familiar terrain with his new film. Thank You is heavily inspired by his earlier comic caper, No Entry, where Salman Khan had the onerous task of curing a motley group of errant husbands from their chronic infidelity. This time, it is Akshay Kumar who wields the baton -- or is it the flute -- to underscore the sanctity of the institution of marriage. Is this a case of playing safe for the director who has recently burned his hands at the box office or is it a drought of story ideas that seems to be Bollywood's biggest scourge?

Repetition notwithstanding, Thank You ends up as timepass fare, although it isn't as rollicking as No Entry. The first half of the film seems to be an exercise in nothingness and has you fidgeting in your seat as you try to look for the rare laughs in a script that is supposed to be funny. The bit-on-the-side sequences of the three husbands are hardly hilarious nor does the fuming wives club set the screen ablaze with hysteria. It is only in the second half that the film acquires form and substance and has you grinning at certain goof-ups. Akshay Kumar's elaborate plans to set the three marriages straight provides scope for actors like Irrfan Khan and Suneil Shetty to kick up a bit of fun, although Bobby Deol has hardly any humour tailored into his role. By and large, he remains dour and angry as he begins to suspect his sweet wife Sonam of adultery. The girls, on their part, mostly remain cosmetic with Sonam looking terribly out of sync, Rimmi not being allowed to play her feisty self and Celina being forced to do the disappearing act for a large part of the film.

So what's funny about Thank You? It's the guys who reiterate the worn-out cliche that fidelity isn't an intrinsic part of male physiology. Add to this the high production values -- glitzy locales, jazzy styling -- and Pritam's pop numbers and you have a film that can be an average weekend getaway. Nothing more, not even Mallika Sherawat's item number.
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Thank You 2011 Bollywood romantic comedy film Hindi Movie-Thank you Part 1 Small glimpse of the Movie Slapstick comedy with intermittent humour

Hindi Movie - Thank you Part 1


Small glimpse of the Movie:

Thank You (Hindi: थैंक यू) is a 2011 Bollywood romantic comedy film directed by Anees Bazmee and produced by UTV Motion Pictures. It features Akshay Kumar, Bobby Deol, Sonam Kapoor, Suniel Shetty, Irrfan Khan, Celina Jaitley and Rimi Sen. The film was released on April 8, 2011. Thank You is about three married men trying to have some fun outside their marriage. Akshay Kumar plays a detective who specializes in extra-marital relationships. Most of the scenes in this film were shot in Vancouver and Toronto, Canada and Bangkok. Other Bollywood films which have focused around a similar concept are Masti, No Entry, Shaadi No. 1 and to a certain extent, Do Knot Disturb.

With Universal, Comcast hopes to make a big splash in movies

NEW YORK - As big banner ads in Times Square last week hyped Universal's hoped-for blockbuster Cowboys & Aliens, the movie studio's parent company, NBCUniversal, held a screening of the western sci-fi thriller at its private theater near Rockefeller Center.

There were wine and soda and hors d'oeuvres trays, and company officials billed the event as a thank-you for about two dozen reporters who cover

Hindi Movie - Thank you Part 1

NBCU. There was another message for the gathered media - that the famed Universal Pictures movie studio that had fallen on hard times in recent years is on a hot streak under its new owner, Comcast Corp.

With a surprising run of hits since April, Universal has moved to third in U.S. market share of box-office receipts this year after, as one insider called it, "a really bad run" in 2009 and ranking sixth of the eight largest U.S. studios for 2010.

A committed management team is responsible for these recent hit movies and several projects in the Universal pipeline that are being closely watched by Hollywood insiders as potential heavy hitters - among them, an animated version of the Dr. Seuss story The Lorax and Battleship, based on the Hasbro game, both set for release in 2012.

"They have reestablished their prominence as a movie house that can produce broad, crowd-pleasing entertainment," said Craig Detweiler, director of the Center for Entertainment, Media and Culture at Pepperdine University.

"It's a hit-driven business, so it is always impossible to predict. It's always a gamble. And you have to have patience for your bets to pay off."

Comcast, the Philadelphia cable company, acquired the Hollywood movie studio through its megadeal for NBCUniversal, the owner of cable channels and the NBC TV network. When the deal closed in January, many observers assumed that Comcast would not be interested in a sixth-ranked movie studio.

But Comcast said it was devoted to the film business and wooed Hollywood. In early May, Comcast chief executive officer Brian Roberts publicly courted film great Steven Spielberg with a fund-raising dinner in Philadelphia for Spielberg's Shoah Foundation, which records the memories of Holocaust survivors. Roberts has said he hopes he can persuade Spielberg to return to Universal.

A month later, Comcast agreed to pay $1 billion for a 50 percent stake in the Universal theme park in Florida - a business closely tied to films and Spielberg - that it did not already own.

The swift turnaround at Universal, though, cannot be attributed solely to the cable company.

Facing deepening financial losses under General Electric Co. in 2009, a new leadership team of Adam Fogelson, Donna Langley, and Rick Finkelstein was appointed to head Universal's moviemaking operation. This year's crop of movies, which includes one clunker, The Dilemma, is the first of their projects.

The movie operation reports to Ron Meyer, the president and chief operating officer of Universal Studios, which includes the movie business and the theme parks. Meyer's employment contract at Universal, set to expire in 2012, was recently extended to late 2015.

Some analysts say Universal's problems stemmed in part from GE's insistence on profit growth, forcing Universal to take big risks on movie projects with the hopes of earning big profits to replace revenue lost through lower DVD sales.

The new management team has tightened decision-making around movie projects. A movie has to satisfy three criteria before it receives an OK: Can it be great? Does it have an identifiable audience? Is there a rational business plan attached to the project? Meaning: Do potential profits exceed potential losses based on the past experiences with films of a similar genre?

Perhaps the most surprising of Universal's hit films this year has been Bridesmaids, an R-rated woman-centric comedy that has tallied $240 million in global sales since mid-May, easily covering production costs of $32.5 million.

Also profitable has been the fifth installment of the Fast and Furious movies. It has generated $603 million worldwide since late April - after costing about $125 million to produce. Realizing there was more horsepower in the franchise, Universal was quick to slate a sixth Fast and Furious. It is scheduled for release in 2013.

Then there's Cowboys & Aliens, starring Harrison Ford and Daniel Craig. It cost $163 million to produce. Universal has only a 25 percent financial stake, which will limit its exposure to either a flop or a blockbuster.

Connected with two of the biggest names in Hollywood, Steven Spielberg and Ron Howard, the two-hour movie opened Friday to mixed reviews. Universal's partners are DreamWorks and Paramount.

The movie's story line is one of evil aliens mining for gold out West and a cowboy determined to avenge the death of his wife - at the hands of those aliens. There are gunplay, humor, Indians, special effects, and a Hollywood-style happy ending. The studio hopes for an opening weekend with receipts around $40 million.

New corporate owners have regularly fallen in love with Hollywood studios, only to be disenchanted when profits did not materialize or they found movie audiences too fickle for their liking.

So far Hollywood has been pleasantly surprised with Comcast, but time will tell how committed the cable company is to the movie business, Detweiler said.

"Comcast has given a clear signal to the talent in Hollywood that Universal is an attractive place to bring your project," he said. "And in a town like Hollywood, built on relationships, that is an important message to communicate."

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Slapstick comedy with intermittent humour

Story: Bobby Deol, Suniel Shetty and Irrfan Khan are a trio of philandering husbands who don't think twice before being unfaithful to their wives, Sonam Kapoor, Celina Jaitley and Rimmi Sen. Enter marriage therapist, Akshay Kumar, who is determined to teach them a lesson and bring them back to the happy family fold.

Best Reader's Review
its a really very entertaining movie i saw after very long time. one must watch it as it ...Read more rohit shetty (GOLMAL 1, 2, 3) (mumbai)

Movie Review : Anees Bazmee seems to be re-visiting familiar terrain with his new film. Thank You is heavily inspired by his earlier comic caper, No Entry, where Salman Khan had the onerous task of curing a motley group of errant husbands from their chronic infidelity. This time, it is Akshay Kumar who wields the baton -- or is it the flute -- to underscore the sanctity of the institution of marriage. Is this a case of playing safe for the director who has recently burned his hands at the box office or is it a drought of story ideas that seems to be Bollywood's biggest scourge?

Repetition notwithstanding, Thank You ends up as timepass fare, although it isn't as rollicking as No Entry. The first half of the film seems to be an exercise in nothingness and has you fidgeting in your seat as you try to look for the rare laughs in a script that is supposed to be funny. The bit-on-the-side sequences of the three husbands are hardly hilarious nor does the fuming wives club set the screen ablaze with hysteria. It is only in the second half that the film acquires form and substance and has you grinning at certain goof-ups. Akshay Kumar's elaborate plans to set the three marriages straight provides scope for actors like Irrfan Khan and Suneil Shetty to kick up a bit of fun, although Bobby Deol has hardly any humour tailored into his role. By and large, he remains dour and angry as he begins to suspect his sweet wife Sonam of adultery. The girls, on their part, mostly remain cosmetic with Sonam looking terribly out of sync, Rimmi not being allowed to play her feisty self and Celina being forced to do the disappearing act for a large part of the film.

So what's funny about Thank You? It's the guys who reiterate the worn-out cliche that fidelity isn't an intrinsic part of male physiology. Add to this the high production values -- glitzy locales, jazzy styling -- and Pritam's pop numbers and you have a film that can be an average weekend getaway. Nothing more, not even Mallika Sherawat's item number.
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